AMBIKA | BLADE RUNNER THEME | KORG MINILOGUE | SOUND LIBRARY

video upload by Synth Cloud

🚀 AMBIKA: https://www.synthonia.com/marketplace... "Ambika is a combination or collaboration between hardware & software tech.
The Lushest sounds for Minilogue combined with deepest fx of Supermassive wonderful free of charge effect by Valhalla DSP.
We love Korg with all our heart as well as Valhalla DSP Virtual Fx.
We used a lot Valhalla effects in our past presentations & answered countless messages – what kind of vst fx you are using to process hardware?
We are thinking that Supermassive is the best one for any hardware synth & its totally free one, thanks to Valhalla.
Minilogue really lucks lushness in tone – a good chorus effect & deep reverb for cosmic pads & soundscapes.
Inside of Supermassive you will find silk choruses, ensembles & deepest reverbs (period)
And this duo work really great together – giving you incredible lush & deep sounds for your Original Minilogue Synthesizer
We made 18 Presets for you with our own settings of Supermassive Fx.
And combined them with our best presets for Minilogue via DAW – Cubase, Logic, Ableton or any other one which supports VSTi format.
And we made Ambika – with 85 sounds you need for production of Ambient, Soundtrack, Electronica & Dance Music with integration in every modern genre."

CLICK FOR MORE »

SERGE GTS (for eurorack) - Waveforms

video upload by Serge Modular | Random*Source

"How does a slope generator sound? Here two Serge GTS are used as a Complex oscillator that is run into a Variable Slope filter (VCFS), playing a simple MIDI loop via 1V/Oct. Single patch, just playing with a few knobs...

The Serge GTS is a complete redesign of the famous Serge Dual Universal Slope Generator (DUSG) by Serge himself - with a new core, optimized for speed and tracking. Like some of the clones it can be used for CV, but provides exceptional audio performance: transient rise times as fast as 12µs and a maximum cycle speed of 28kHz."

Gymnopédie No. 1 on Elektron Analog Four MK1 w/ Meris Mercury7 & Universal Audio Starlight

video upload by goth jocks

"Elektron A4 performing Erik Satie’s classic composition. UA Starlight and Meris Mercury7 with the assist

Please note, I did NOT play this on a MIDI keyboard. I simply downloaded a MIDI file and then designed the sounds. The extent of my knowledge of playing the piano is I know which note is C"

SERGE GTS for eurorack - MINIMUM function

video upload by Serge Modular | Random*Source

"Playing around with the MINIMUM function of the Serge GTS for eurorack.

The Serge GTS is a complete redesign of the famous Serge Dual Universal Slope Generator (DUSG) by Serge himself - with a new core, optimized for speed and tracking. Like some of the clones it can be used for CV, but also provides exceptional audio performance: transient rise times as fast as 13µs and a maximum cycle speed of 27kHz."

Exploring clocks, loops and chaos with Rung Divisions from Fancyyyyy Synthesis

video upload by Tom Churchill

"This video is about Rung Divisions, by Fancyyyyy Synthesis. It’s one of the most inspiring modules I’ve used recently, but it’s also quite a hard one to sum up in one sentence.

It has two main components. The first is a clock divider which outputs pulses that you can combine in two buses to create polyrhythmic patterns. That drives a universal shift register which outputs pseudo-random, chaotic or looping stepped voltage patterns. It’s an evolution of Rob Hordijk’s Rungler circuit, which is at the heart of the Benjolin synth. And there are dozens of interesting musical applications for it - a few of which I explore here.

Find out more at https://www.fancysynthesis.net/

NB: Fancyyyyy Synthesis sent me this unit to check out, but I don’t get any other sort of payment. This is a demo, not a review, and this channel is a hobby, not a job, so I only showcase things that I’m genuinely enthused about.

More stuff from me:
https://tomchurchill.bandcamp.com/
https://soundcloud.com/tomchurchill
https://www.instagram.com/tomchurchill/

Chapters:
00:00 Intro and patch previews
02:46 Rung Divisions overview
05:54 Drum trigger sequencing
09:54 Melodies from pulse divisions
14:14 Shift register sequencing
20:15 2-channel pitch sequencing
24:00 Patching a voltage-controlled clock divider
27:42 Shift register as a VCO
30:22 Rungling for chaotic sequencing"

​Rung Divisions combines a universal shift register, a “divide by n” pulse divider, analogue noise, and several logic and binary operations. These functions synthesise an array of predictable and unpredictable digital signals at arbitrary time scale.

Rung Divisions’ primary use is as a complex polyrhythmic gate generator that drives a chaotic / pseudo random / looping stepped cv pattern generator, with voltage control over the pattern “direction”, length, and chance of the pattern looping. The combination of these features can be used to generate auditory illusions similar to a stroboscopic effect – like the visual aliasing of a wheel that appears to stand still and reverse direction at speed. Rung Divisions is built with solid state & discrete logic blocks to work at frequencies between 0–40kHz. The module is designed to drive multiple voices with gate patterns and CV, or to generate audio rate mayhem - these functions can be combined through patching with other modules that can take input signals over a wide frequency range. ​

Rung Divisions behaves in many surprising ways with feedback and self patching - the module has propagation delay compensation to allow for all outputs to be used in feedback loops.

Polyrhythmic Clock Divider
Random / Looping Sequencer
Chaotic Stepped Signal Generator
​​
12hp
35mm deep
+12V 58mA
-12V 42mA
​
Complete redesign of the 2018 module, building on the original features in multiple ways:
Universal shift register - can shift data in two directions​
Dual gate bus with three position switches
CV over pattern length, shift direction and chance of loop
Analogue noise output
Clock pulse width affects all outputs
1-bit, 3-bit and 8-bit data encodings
All solid state and discrete logic, runs at wide bandwidth
Expander ports for upcoming dual oscillator, cv addressable clock divider, bit sieve and random voltage sources

San Francisco drive via San Jose Ave / Guerrero St / Laguna St

video upload by CatSynth TV

"We travel the length of San Francisco from the southern neighborhoods to the northern edge along the Bay. The ride starts on the San Jose Avenue expressway into the Mission District where we follow Guerrero Street to its northern end on Market Street. After crossing Market, we continue north on Laguna through Hayes Valley, the Western Addition, Japantown, over the hill in Pacific Heights, and down into the Marina District. At the end of Laguna, we wind our way through main streets of the Marina to arrive at the Presidio of San Francisco within sight of the Golden Gate Bridge.

00:00 Introduction and Map
00:10 San Jose Avenue expressway
02:03 Guerrero Street (Mission District)
05:14 Laguna Street (Hayes Valley)
07:52 Japantown on Laguna
08:25 Pacific Heights on Laguna - spectacular hills and views
09:54 Marina District on Laguna
10:51 Marina District on Bay Street, Fillmore Street, and Marina Blvd
13:16 The Presidio of San Francisco

This ride includes two original pieces of music. From the beginning to Market Street is a new track featuring:
G Calvin Weston on drums (soundscaperecordinglab.com)
Big Fish Audio Grindhouse
Universal Audio UAD Electra 88
Cherry Audio Mercury 6, Elka-X, Pro Soloist, Sines, Stardust 201
EastWest Ministry of Rock 2 and Hollywood Pop Brass
Arturia CMI V, Delay Brigade
Metasonix RK5
Rossum Electro-Music Morpheus
Make Noise Maths
Buchla Red Panel 158 and 156m
AudioThing Wires

From Market Street to the end is an extended version of "Broadway" track featuring:
G Calvin Weston on drums
Crank Strugeon Pocket Gamelan
Strymon StarLab reverb module
Octave CAT and Behringer CAT synthesizers
Arturia Modular V
Korg modwave
Arturia B3 V
Arturia Wurli V2 and V3
EastWest Fab Four (Bass), Bösendorfer Piano, and Hollywood Brass"

Serge GTS (eurorack) goes FM

video upload by Serge Modular | Random*Source

"ow does a slope generator sound? Here two Serge GTS are used as VCO(s), mixer, envelope generator, filter and finally for FM (with an added VCFS), controlled via 1V/Oct and Midi / keyboard.

The Serge GTS is a complete redesign of the famous Serge Dual Universal Slope Generator (DUSG) by Serge himself - with a new core, optimized for speed and tracking. Like some of the clones it can be used for CV, but provides exceptional audio performance: transient rise times as fast as 12µs and a maximum cycle speed of 28kHz."

What is The Vanilla Synthesizer? It's Ready, That's What

via the STG Soundlabs/muSonics Electronic Newsletter:

Is it The Vanilla Synthesizer or the muSonics TVS?

I started working on this project a year and a half ago.

Originally my thought process was to make a new American format synthesiser that could be sold as modules, kits, and bare boards. I was concerned about the future of the format, and I felt a new line of basic modules and infrastructure at a variety of price points was important. I still do.

STG Soundlabs was a failure because I made things that ultimately the eurorack market simply did not want. Yes, I sold some, and will continue to maintain the line as best as I can, but it's very hard to find photos of eurorack installations with STG Soundlabs modules in them, but rare to find a nice big man-sized synthesiser without my modules in it.

Another thing I wanted to do was teach myself how to do my own engineering. It didn't start that way, but it became that way. I'd been a hardware product developer since 2005 but never actually laid out a circuit board. That is no longer true, and I've done things beyond this project that I haven't even talked about.

CLICK FOR MORE »

Serge GTS eurorack - 1V/Octave demo

video upload by Serge Modular | Random*Source

"The Serge GTS is a complete redesign of the famous Serge Dual Universal Slope Generator (DUSG) by Serge himself - with a new core, optimized for speed and tracking. Like some of the clones it can be used for CV, but provides exceptional audio performance: transient rise times as fast as 12µs and a maximum cycle speed of 28kHz.

In this demo 2 GTS are used parallel as Sawtooth oscillators (= 4 oscillators), controlled via 1V/Oct and Midi / keyboard. In such Sawtooth mode, the GTS tracks over about 6 octaves, up to more than 2kHz."

Background Modulars No.3 - Serge Paperface

video upload by Memetune Studio

"Can't find a Serge Modular system to create a self-generating Cybersynthesis patch on? No worries! Just put this video on in the background (in full-screen mode), and have the next best thing 😁

In this background piece, I’m using a 1970s Paperface system with some Loudest Warning Serge clone modules to help with the AI composition process (top panel)

The usual VCO / VCF / ENV things are set up, being triggered from a combination of Positive Slew, 73 EG and the mysterious Fenetre module (a Window Comparator designed by Charlie at Loudest Warning, inspired by a tiny bit of the Destiny+ Czochralski Cells thing - Google it), which takes a CV-variable input and sends out staggered pulses, all CV-able. Some of these go to a 4-input AND module which is combined with the other clocks to give varying rhythm to the piece. The pitches are being generated from the Gated Comparator (Ken Stone design, Mk2) which is being altered as the piece develops by various interrelated CVs from the other modules and the vintage Programmer, set to 4 steps on a very slow clock, again related to the main clock via an 8-way divider, then into a 2HP Tune quantiser, which I supplanted into a spare hole in the cab. The Programmer also has its other outputs slowly changing things, such as timbre and LFO of the main oscillator. The reverb is from the Serge spring units (stereo) and there is a tiny bit of Boss SE70 delay in there (all being mixed via one of the Serge Universal Audio Processors)

The general idea is that its one great big interrelated cybersynthesis patch, and the sequence changes slightly each rotation. I think if you listen through to the end, you will hear a very satisfying melodic development, one that I was not expecting to happen. I had no idea how the melody would evolve, and for the first time in my patching life I was genuinely surprised by the melodic resolution this self-generating Serge patch produced"

Polivoks FAEMI-M Soviet Vintage Analog Polyphonic Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.
video upload by Universal Audio

via this auction

Note auction links are affiliate links. See the site's privacy policy for more info.

Update: The listing has the FAEMI-M as being from 1968. It seemed a little early to me so I checked my copy of Peter Forest's The A-Z of Analogue Synthesisers. It's listed but without a production date. Right before the entry for the FAEMI-M is the FAEMI children's keyboard which was released in 1972. I then checked http://www.ruskeys.net, but no date is given either. Previous posts refer to the FAEMI-M being from the 1970s. Sound on Sound's article on the Polivoks mentions the FAEMI-M but w/o a date. If anyone defininitively knows, feel free to leave a comment. A couple of interesting comments from that Sound on Sound article:

"The Polivoks is a duophonic synthesizer designed by Vladimir Kuzmin, an electronics engineer who had been the bass player and sound engineer in his student band. Having graduated in 1976, he was inspired to apply for work at the Urals Vector Company by the inventor of the FAEMI, the first commercially successful Russian electronic keyboard. That man was Vladimir Lugovetz, the Director of the bureau that controlled development of electronic instruments at the Vector company, and the father of Kuzmin's future wife."

Followed by "Interviewed by Polish synthesizer enthusiast and supplier Maciej Polak, in 2003, Kuzmin explained: "My first task was to design the spring reverberator, but I also tried to improve the design of FAEMI‑M in order to obtain some modern effects such as portamento and filtering."

Auction details:

"So, the good news: All four oscillator generators are working; I have cleaned the potentiometers, and only one couldn't be fixed, and just one is slightly crackling on movement. I replaced the output jacks with the standard 1/4" jack.

Things I couldn't fix: The vibrato section is not working. Several keys are not working at all, and some of them work when pressed harder.

The external original power supply is unusual – it is combined with the scale pedal in one housing. The pedal works, but it also has a slight crackle on movement.

To see and understand the objective condition, I recorded a video. Please watch below, where I aim to show the specific condition of the device. Despite the problems, it is still alive, and I believe you can either repair, sample, or simply enjoy the time with such an old and unusual synthesizer, even in its current state. Of course, due to these reasons, I have also objectively reduced the price.

The package is fully loaded: synthesizer, original power supply/volume pedal, original 5-Din cable to connect the pedal to the synth, power cable for the power supply, original wooden hard case

Here is some official spoecifications:

Specifications:

Keyboard volume - 4 octaves.

Full sound range (all the registers are switched on) - from F in the controctave to E in the fifth octave.

Output voltage at the load of 100 kOhm - not less than 0.1 V.

Power supply:
-from an external DC source - 12 V +10\-20 %;

Power consumption from AC mains - not more than 15 W.

Current consumed from the battery of dry elements - 350 mA.

Overall dimensions - 610*280*110 mm.

Weight - not more than 10 kg."

CLICK FOR MORE »

Luminous Trilogy & A CATALOGUE OF FM MATERIALS by Element433 ( a.k.a. Pere Villez)

via Element433 (Pere Villez)

"When I made the popular YouTube series 'FM Catalogue of Materials', many viewers commented that they would love to see some more of the 'music tech as cinema' style created in the videos.

My new project 'Luminous Trilogy' release, does exactly that. In part 1 'WTD', synths and synth technical diagrams, together with Pure Data/Max patches, become casual parts of the film's environment, which is set in an alt near future. Part 1 was realised with analogue modular, whereas Part 2 "Breath" was scored using binaural audio, VCV rack and live Indian tablas. Part 3 'Contrails' uses physical models, Samplicity's Berlin Studios and vintage FM hardware."

Update: Element433 has made the VCV patch and assets used in the film "Breath" below a free download. You can find instructions on downloading the patch and setting it up here: http://tinyurl.com/e433WpBrvcv.

Luminous Trilogy

video uploads by Element433 ( a.k.a. Pere Villez)

"Three music shorts around the theme of light, from incandescent urban folklore set in the near future, electric neon glowing medussae to impossible skies, all to the sound of dark ambient and techno-world music"

Playlist:

Walking The Dulzaina - Luminous Trilogy - Part 1

Walking The Dulzaina is an edited one-shot music film which details the manic walkthrough time-lapse of an imaginary synthesised dulzaina (Spanish folkloric instrument) being taken for a walk through the "Las Vegas" like dressed streets of a small village festive celebration set somewhere in the near future.

The visuals are nods to the Bladerunner, Lynch, Weirdcore and Kubrick where the glow of transparent neon CRTs, display technical diagrams with a music technology theme. Some suddenly slide up from the ground, while others cross from one side of the street to another.

The music is inspired by minimalism, industrial techno synth-folk where Steve Reich and Techno meet Raymond Scott and 1960's BBC radiophonic.

Musical Equipment Detail:

Intro: Moog Subharmonicon through Fairfield Randy's Revenge ring modular - into two crunchy Elby Systems stereo valve preamps and out into a stereo pair of Doepfer A-199 spring tanks).

Dulzainas: Buchla Easel Command sometimes untreated and sometimes solo through a J.H. 'Son of a Storm Tide' stereo analogue studio flanger (built by Van Daal Electronics (second dulzainas and very low transition whoooses). Buchla and Subharmonicon sync locked and clock divided by Ornaments and Crime clock divider.

Final wormhole sequence: Subharmonicon through stereo A-199 Doepfer spring reverbs and Paulstretched.

This work is not sponsored by any the manufacturers mentioned. They are personally purchased pieces of equipment.

Album:
https://distrokid.com/hyperfollow/ele...

CLICK FOR MORE »

SEQUENTIAL Prophet-5 review with (Korg Drumlogue, KR-55 and loads of FX Pedals

video upload by Knobs & Switches

"Here is my first Review about the classic Sequential Prophet-5 full of audio, sampled P-5 Sounds and a bunch of FX Pedals.

https://www.sequential.com

Used Equipment: Apple iPhone 14 Pro Max, Sony ZV-1, Sony ECM-W2BT, Universal Audio Apollo Twin Solo, Steinberg Cubase 12 and Final Cut Pro X"

Also see Alex Ball's The History of the Prophet Synthesizer and related posts here.

The Blue Marble Synthesizer Project Plans to Put a Music Synthesizer Controller in Space

video upload by Physical Synthesis

Blue Marble Synthesizer Project: Andrew Huang


Physical Synthesis, the makers of Cicada, wrote in to let us know of a new project soon to be seeking funding on Kickstarter.

I asked them what the platform would be based on. They replied:

"The web-based interface will be an adapted version of Patatap to which we’ll add a video feed and other interactions that will be possible to trigger inside the space capsule (i,e agitate the marble by turning on a fan, LED array, microphone, speaker, etc).

The space capsule has a set of different elements that allows to change the position of the physical marble floating inside the zero-gravity chamber (a set of sensors that calculates the position, a fan that agitates the position of the marble, a microphone that records those interactions, etc). All that data is then being sent back to us on earth (or in reverse sent to the capsule from earth using the Live mode). In other words, the web-interface receives data/interactions from the capsule and the Live mode allows to send data/interactions directly to the capsule. Lastly we’re building a VST plug-in allowing to receive MIDI and hook up data directly into your DAW or other synth."

In short the interactive hardware controller w/ microphone to capture audio is in space, while the synth engine and processing is done on earth.

Addtional details from the Kickstarter/Press Release follows.



The Blue Marble Synthesizer is the first-ever music synthesizer that can only work in space and that is playable from here on earth. It’s a synthesizer for making music and experimenting with sound. The system consists of a pressurized capsule in a low earth orbit satellite, a network of sensors, and a web-based interface for people to play with here on earth.

1. The Blue Marble Synthesizer Capsule consists of a pressurized CubeSat module configured with a control computer, camera, sensor array, fan, LED array, a microphone, and a speaker. It measures the behavior of a marble floating in a zero gravity synth capsule and sends sensor data, audio feed, and video feed back to us on earth.

2. The Web-Based Interface is an interactive and self-contained web audio synthesizer designed for everyone. Through a collaboration with the creator of Patatap, this application blends interactions from the Blue marble Synthesizer Capsule data with a traditional interactive music synthesizer. This web-based interface is a way to explore the interactions between the Blue Marble Synthesizer Capsule and people’s own musical creativity.

● When does the space mission start?
The Kickstarter campaign is set to start on Wednesday, October 4 for 30 days until the rocket launch which is set for Wednesday November 1 aboard the SpaceX Falcon 9 Rocket. Once in orbit, the Blue Marble Synthesizer Space Capsule will be rotating around earth every 90 minutes.

● Why does this project matter?
The Blue Marble Synth Project is intended for all those who share a passion for space, music, and the intersection of science and art. Music has always been a universal language that transcends cultural barriers, connecting people on a deeply emotional level. By introducing a music synthesizer to space, we expand the horizons of artistic expression and create a new dimension for human creative endeavors off-planet.

● What is the experience like for supporters?

1. Two primary ways: people will have the chance to make music with the audio and the data captured by the Blue Marble Synthesizer in two primary ways: through an interactive web-interface or via a VST-plug-in. Some supporters may also have the chance to play and interact with the system directly in space.

2. The Blue Marble Web-Interface: is a self-contained web based application that works from here on Earth. Inspired by Patatap, this application blends interactions from the Blue Marble Synth Capsule Data with a traditional interactive music synthesizer.

3. The Blue Marble VST Plug in: this feature allows to receive MIDI and control data from the Blue Marble Synth Capsule to use with other digital synthesizers and digital audio workstations such as Ableton LIVE, FL Studio, Presonus Studio 1, etc.

● Who are the artists involved?
Andrew Huang, Benn Jordan, Trovarsi, and MAYSUN, are invited artists who will compose original music with the Blue Marble Synthesizer during this orbital mission. They each possess the adventurer's spirit that we believe is at the heart of this project.

Andrew Huang
We are thrilled to have Andrew Huang, the YouTube phenom and Toronto-based artist join the Blue Marble Synth Project. As a highly acclaimed music and video producer, Andrew's unique ability to seamlessly blend diverse musical styles with captivating visuals aligns perfectly with the innovative vision we seek to bring to life. His creativity, coupled with his commitment to pushing artistic boundaries, makes him an invaluable addition to this project

These 4 artists will compose original music using the Blue Marble Synthesizer and the resulting tracks will be released for project supporters on an exclusive LP post-mission.

● What else can supporters get by supporting?
Beyond accessing the Web-Based interface and Artist Album, supporters also get access to a range of branded Blue Marble Synthesizer merchandise designed by Physical Synthesis. The collection features a sticker and mission patch, hoodie, t-shirt, cap, tote bag, and more.

● What goes inside the Blue Marble Synthesizer? Technical Breakdown
The Blue Marble Synthesizer Capsule consists of a pressurized CubeSat module configured with a control computer, camera, sensor array, fan, LED array, a microphone, and a speaker. The module allows supporters to receive data so they can control other synths and interfaces as well as initiate actions that affect what happens inside the capsule

1. Zero Gravity Dynamics: to make the Blue Marble Synthesizer an instrument that can truly work in space, it requires harnessing the power of zero-gravity. To do this, the synthesizer relies on interactions between a spherical piece of glass – the blue marble – and an array of accurate laser sensors that measure the distance and location of the marble as it floats around a small pressurized chamber.

CLICK FOR MORE »

US 50 in Nevada Part 4: Ely to the Utah Border (original soundtrack)

video upload by CatSynth TV

You can find all parts in this series here, or see the playlist below for entire trip in order.

"The fourth and final segment of our journey along US 50, the 'Loneliest Road in America'. We pick up where we left off in Ely, Nevada and head east until we cross the border into Utah. Along the way, we pick up concurrencies with US 93 and US 6, making this final segment a little less "lonely" than the previous three.

Original soundtrack by Amanda Chaudhary, featuring the following instruments:
Cherry Audio Octave CAT, Elka X, Novachord, GX-80, Stardust 201 Delay
Universal Audio Electra 88 piano
Arturia Pigments, CMI V, Phaser Bi-Tron, LX-24 reverb
Korg modwave
Strymon Starlab
EastWest Ra

Drums by G Calvin Weston (soundscaperecordinglab.com)

00:00 Introduction
01:22 Leaving Ely with US 6 and US 93
05:05 Music changes as we cross a mountain range
07:41 US 93 departs
11:00 Going around Great Basin National Park
13:38 The final stretch
15:55 Crossing into Utah

_______
Please consider supporting this channel so that we can bring more music, synthesizers, highways, and cultural content regularly:
Merch Store: https://shop.catsynth.com
Ko-Fi: https://ko-fi.com/catsynth
Patreon: https://www.patreon.com/catsynth"

All parts in order:

US 50 in Nevada, Part 1: Middlegate to Austin (with synthesizer soundtrack)

video upload by CatSynth TV

You can find all parts in this series here.

"We preset Part 1 of of several videos covering our epic trip along US Highway 50 in Nevada, dubbed "The Loneliest Road in America". In this segment, we head west from the tiny community of Middlegate in Churchill County to the old mining town of Austin (in Lander County). Along the way we cross wide valleys and mountain passes.

Original music by Amanda Chaudhary using the following instruments:
Yamaha RX5 drum machine and RX5USB cartridge
Cherry Audio GX-80, Harmonia, and Stardust 201 tape delay
Arturia Vocoder V, DX7 V, Analog Lab, Mellotron V, Jun-6 V, Delay ETERNITY
Universal Audio UAD Electra 88
Buchla Red Panel 158 and 156m modules
EastWest Fantasy Brass and Hollywood Orchestral Percussion


The building featured at the end of the video is Stokes Castle, a ruined replica of a European castle tower that sits on a hill above the town of Austin."

00:00 Introduction
00:10 Beginning at Middlegate
04:10 Music break - chillout
06:42 Original rhythm returns; approaching a mountain pass


"Please consider supporting this channel so that we can bring more music, synthesizers, highways, and cultural content regularly:
Store: https://shop.catsynth.com
Ko-Fi: https://ko-fi.com/catsynth
Patreon: https://www.patreon.com/catsynth"

POLARIZER, VCA, OFFSET, MIXER | TEIA Synthesizers MapVolt

video upload by DANIELE

"MapVolt is a dual-channel Universal Voltage Processor built for flexibility in handling both audio and CV signals. With only 6hp, Mapvolt is a multipurpose tool for voltage-controlled scaling, inverting, offsetting, subtracting and mixing functions."

0:00 Intro
0:21 VCA
0:59 Polarizer
1:26 Offset
2:04 Using both channels
2:36 Ring modulator
3:12 Syncing both oscillators"

"Designed with versatility in mind, MapVolt is a dual-channel Universal Voltage Processor built for flexibility in handling audio and CV signals.
With only 6hp, Mapvolt is a multipurpose tool for voltage-controlled scaling, inverting, offsetting, subtracting, and mixing functions.

Features:

Dual VC-Polarizer (attenuverter).
Dual VC-Attenuator (VCA).
Dual VC-Offset generator (+10V/-10V).
Dual Ring Modulator/four-quadrant multiplier.
Two channel Mixer
Voltage subtractor
Suitable for both Audio and CV signals"

Behringer MonoPoly Review (Summer Special feat. CASE)

video upload by Knobs & Switches

"Here is my review about the Behringer MonoPoly Clone on my Denmark vacation this year with some stunts of my new friend CASE, with the help of other Equipment and the support of my family.

Used Equipment: Apple iPhone 14 Pro Max, Sony ZV-1, Sony ECM-W2BT, Universal Audio Apollo Twin Solo, Steinberg Cubase 12 and Final Cut Pro X"

California Highway 33 (The Petroleum Highway)

video upload by CatSynth TV

"We follow California Highway 33 in Kern County, heading north from the town of Taft through several of the largest active oil fields in the state. Along the way with pass through the small communities of Derby Acres and McKittrick, meeting Highway 58 in the latter for a brief concurrency.

Please check out the previous leg of this journey: Highways 166 & 33 leaving the Carrizo Plain National Monument east to the town of Maricopa: [posted here]

Original music by Amanda Chaudhary, using the following instruments:
Cherry Audio Elka X, Octave CAT, Stardust 201
Arturia Synclavier V (synthesized drums)
Arturia CMI V with prepared guitar and invented instrument samples by Elliott Sharp
Crank Sturgeon Pocket Gamelan
Strymon Starlab reverb module
Universal Audio UAD Electra 88
Metasonix R-54 VCO/VCF module
Dreadbox Euphoria phaser module
EastWest Hollywood Pop Brass and Stormdrum"

Patch Notes: Stone Hall (Babel/Triphase/HSO/Inertia)

video upload by New Systems Instruments

"This is mostly a video about Babel, and techniques to use it at audio rate. But IMO when Eurorack modules are done right, they show us universal things about music. Hopefully this generates some useful ideas for whatever modules you have.

For more information on these modules, check out https://nsinstruments.com"